H.P. Lovecraft and Metaphysics

metaphysics_by_mearone Metaphysics by Mearone (www.deivantart.com)

As Kenneth Hite states in Tour De Lovecraft: The Tales (2011), “Through the Gates of the Silver Key” is a trippy, metaphysical tale.”  H.P. Lovecraft references metaphysics in a few of his tales.  For example, in “The Music of Erich Zann” the protagonist states that he is a student of metaphysics at the university (presumably Miskatonic University). In the subsequent story, “The Thing on the Doorstep,” Edward Derby noted that Asenath Waite was taking a special course in mediaeval metaphysics at Miskatonic. But what exactly is metaphysics and why does it seem to be an important component of “Through the Gates of the Silver Key,” written by H.P. Lovecraft and E. Hoffmann Price?

asenath_waite_by_marycountsthewalls-dagur7t Asenath Waite by Mary Counts the Walls (www.deviantart.com)

Metaphysics is one of the four main branches of traditional philosophy (Metaphysics:  A Very Short Introduction by Stephen Mumford, 2012), with the other three being ethics, logic and epistemology (the study of knowledge; separating justified belief from opinion). Metaphysics itself is the investigation of the fundamental nature of being and reality. In a sense, metaphysics and science are attempting to accomplish the same goal; obtain an understanding of our reality and the universe. However, their methods of understanding are very different. While science is based on observations of the universe and reality, metaphysics is not concerned about what can be observed, measured or quantified (Mumford, 2012). In a sense, science addresses specific questions and inquiries, while metaphysics take a far more generalized and “grand-holistic” approach. Thus, metaphysics is dealing with issues such as existence, the properties of matter and energy, self and individuality, cause and effect and probabilities but the consideration of such subject matter is not based on the utilization of the scientific method of observations, establishment of hypotheses and testing those hypotheses to develop predictive theory. One could see how a more philosophical approach, rather than purely scientific, would appeal to Lovecraft.

For Lovecraft, the two largest influences on his interesting blend of metaphysical materialism originate from Ernst Haeckel’s The Riddles of the Universe (1900) and Hugh Elliot’s Modern Science and Materialism (1919) (I Am Providences: The Life and Times of H.P. Lovecraft by S.T. Joshi, 2013). While science was an important component of Lovecraft’s tales and writings, metaphysics was probably even more important given it frequently deals with generalities and vast concepts and ideas of the cosmos and reality. However, metaphysics and science are not completely separate disciplines.


Concepts and ideas can easily move from the realm of metaphysics to science, based on recently collected observational data, which in turn is largely based on advances in technology. Cosmology is a perfect example of this – questions about the size and nature of the universe, does the universe have a beginning and/or end, and the possibility of the multiverse – were largely metaphysical questions throughout most of human history.  However, with Hubble’s observations of galaxies exhibiting a red shift in the early 20th century, the Universe was no longer a static, eternal thing. The fact that all galaxies are moving away from each other and at an accelerated rate, implies that the Universe had a beginning.  Such observations have led to cosmology becoming a sub-discipline of astronomy and no long confined to metaphysics.  Additionally, quantum mechanics and subsequent observations associated with particle physics (having sub-atomic particles slam into each other at very high speeds) began to address questions associated with the nature of matter and put these questions into the realm of quantitative science. In fact, I think H.L. Mencken described metaphysics and its relationship with science the best with the following quote:

“Metaphysics is almost always an attempt to prove the incredible by an appeal to the unintelligible.”

More simply put, physicist Robert W. Wood concluding once in a toast that the difference between physics and metaphysics “… is that the metaphysicist has no laboratory.”


However, as easily as metaphysics can inspire or drift toward science, it can also easily drift toward more religious or spiritual thought. This, Lovecraft flat-out denied, stating that anthropology of the late 19th century provided enough information as to the origin and evolution of humanity and that religious belief was not required in considering our role in the Cosmos (Joshi, 2013). While spiritual concepts never conflicted with Lovecraft’s metaphysical materialism view of the Cosmos, new scientific concepts, such as Einstein’s theory of relativity and quantum mechanics, did intellectually disturb is cosmological perspective of indifference. However, Lovecraft’s always appeared to come around and integrate these new theories into his philosophical view.

metaphysics_by_kram666-d4i0ntm Metaphysics by Kram666 (www.deivantart.com)

In conclusion, Lovecraft’s cosmic metaphysical philosophy directly shaped and developed his view of indifferentism in the Universe. This perspective certainly comes through in many of his tales, even if it’s not explicitly outlined. In the case of “Through the Gates of the Silver Key,” Lovecraft’s (and Price’s) metaphysical philosophy is on display as these grand concepts of Space-Time smash into the idea of “self” in a perspective that does not consider the scientific method. This is particularly the case as we move into Chapters 3 and 4 of “Through the Gates of the Silver Key.”  I just wanted to provide this background on metaphysics as we move through this tale as I attempt to interpret the presented metaphysical concepts and ideas in a scientific point of view. Thank you – Fred.


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